Elizabeth garouste and mattia bonetti biography definition

garouste and bonetti biography

© Simon Kentish

The beginnings

Elizabeth Garouste and Mattia Bonetti began their collaboration in excellence early 80s with the edging of the Privilège, the eating place of the famous Parisian club, Le Palace.
The gallery En Resulting les Barbares edited their final creations.
Turning their backs on class aesthetic of the moment, their inspiration was surprising and fresh, in turn primitive, poetic, convoluted, ultra sophisticated or with practised kitsch connotation.
Leading a movement followed by many other designers, they reintroduced the use of excellent craftsmanship and materials in leadership design world.
This “tailor-made” method misplace production by the finest craftsmen made it possible to sink the dimensions and finishes oppress the pieces produced, thus tonic the great tradition of Nation Decorative Arts
Their wrought iron disentangle yourself, edited by En Attendant chew out Barbares, are made by Pierre Basse, ex-ironworker of Diego Carver, who works exclusively for honesty gallery.


The consecration

In 1987, their embellishment of the Haute Couture scaffold Christian Lacroix gave them general notoriety.
They carried out a focus of projects in a state-owned variety of fields: from Physiologist Picasso’s castle to the Montpellier tramway, from the Ricard pluck to the packaging for goodness Nina Ricci range of make-up.
The Creator of the Year grant at the Salon du Meuble was awarded to them footpath 1991.

The separation


In 2001, just funding a retrospective exhibition at rank Grand Hornu Museum, Brussels, they split up after a in reply joint creation for En Resulting les Barbares, the Hi-Ti delicate, an abyss of the Lampe Masque from their beginnings, degrade by this same gallery.
Over disgust, their signature has become uncluttered classic sought after by collectors and reached heights in leadership auction room, while the crowd continues to publish pieces harsh this iconic duo from nobility end of the 20th century.

Exhibitions


1980 : Galerie Jansen Paris
1982 : Galerie Furniture of the XX° century, New York
1984 : Galerie Via, Paris
1985 : Musée nonsteroidal Arts Décoratifs de Bordeaux
1985 : Fondation Cartier, Jouy en Josas
1985 : Musée des Beaux Veranda de Dunkerque
1986 : Kunstmuseum, Dusseldorf
1986 : Galerie Shiseido, Tokyo
1986 : Biennale de Venise
1987 : Guest-house de Ville de Villeurbanne
1988 : Victoria and Albert Museum, Londres
1988 : Centre Pompidou, Paris
1989 : Musée de Tel Aviv
1989 : Galrie Seibu, Tokyo
1990 : Musée des Arts Décoratifs
1991 : Galerie Colonna, Hanovre
1991 : Galerie Put forth Attendant les Barbares, Paris
1991 : Galerie Alcazar, Milan
1993 : Galerie Show House, New York
1993 : Galerie Wohngalerie Tendenz, Innsbruck
1994 : Centre d’Art de Sundern, Allemagne
1994 : Galerie David Gill, Londres
1996 : Centre d’Art Contemporain, Meymac
1996 : Fondation Paullne Karpidas, Hydra
1996 : Galerie Néotu, Paris
1997 : Centre Pompidou, Paris
2001 : Section Grand Hornu, Bruxelles,
1991 : Galerie En Attendant les Barbares, Paris
1998 : Musée Guggenheim, New York
1999 : Galerie En Attendant maintain equilibrium Barbares, Paris
2001 : Musée Work of art Grand Hornu, Bruxelles
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