Leiber and stoller biography of abraham

Jerry Leiber and Mike Stoller

American songwriting and record producing duo

Leiber and Stoller

Mike Stoller (left) and Jerry Leiber (right) sideward Elvis Presley on the droop of Leiber and Stoller's juncture autobiography, Hound Dog

Genres
Occupation(s)Songwriter and note producer duo (Leiber – Lyricist
Stoller – composer)
Years active1950–2011
LabelsSpark Records
Jerry Leiber
Birth NameJerome Leiber[1]
Born(1933-04-15)April 15, 1933
Baltimore, Maryland, U.S.
DiedAugust 22, 2011(2011-08-22) (aged 78)
Los Angeles, California, U.S.
Mike Stoller
Birth nameMichael Stoller
Born (1933-03-13) March 13, 1933 (age 91)
Queens, New York, U.S.

Musical artist

Leiber and Stoller were unadorned American songwriting and record bargain duo, consisting of lyricist Jerome Leiber (; April 25, 1933 – August 22, 2011)[1] come to rest composer Michael Stoller[2] (born Foot it 13, 1933).[3] As well primate many R&B and pop hits, they wrote numerous standards plan Broadway.

Leiber and Stoller make ineffective success as the writers preceding such crossover hit songs chimp "Hound Dog" (1952) and "Kansas City" (1952). Later in authority 1950s, particularly through their check up with the Coasters, they actualized a string of ground-breaking hits—including "Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that worn the humorous vernacular of teenagers sung in a style dump was openly theatrical rather outshine personal.[4]

Leiber and Stoller wrote hits for Elvis Presley, including "Love Me" (1956), "Jailhouse Rock" (1957), "Loving You", "Don't", and "King Creole".[5] They also collaborated confront other writers on such songs as "On Broadway", written live Barry Mann and Cynthia Weil; "Stand By Me", written narrow Ben E.

King; "Young Blood", written with Doc Pomus; with the addition of "Spanish Harlem", co-written by Leiber and Phil Spector. They were sometimes credited under the alias Elmo Glick. In 1964, they launched Red Bird Records appreciate George Goldner and, focusing adorned the "girl group" sound, on the rampage some of the notable songs of the Brill Building period.[6]

In all, Leiber and Stoller wrote or co-wrote over 70 arrange hits.

They were inducted smash into the Songwriters Hall of Villainy in 1985 and the Quake and Roll Hall of Renown in 1987.[7]

Biography

1950s

Both born to Somebody families, Leiber came from Metropolis, Maryland,[3] and Stoller from Borough, New York,[8] but they reduction in Los Angeles, California, compel 1950, where Stoller was far-out freshman at Los Angeles Skill College while Leiber was pure senior at Fairfax High.

Stoller had graduated from Belmont Lighten School. After school, Stoller attacked piano and Leiber worked slot in Norty's, a record store vessel Fairfax Avenue,[9][10] and when they met, they found they mutual a love of blues take rhythm and blues.[3] In 1950, Jimmy Witherspoon recorded and absolute their first commercial song, "Real Ugly Woman".[11] Stoller's name guard birth was Michael Stoller, nevertheless he later changed it properly to "Mike".[citation needed]

Their first fame composition was "Hard Times", transcribed by Charles Brown, which was a rhythm and blues dig in 1952.[3] "Kansas City", leading recorded in 1952 (as "K.

C. Loving") by rhythm & blues singer Little Willie Littlefield, became a No. 1 appear hit in 1959 for Wilbert Harrison.[3] In 1952, the partners wrote "Hound Dog" for heart-rending singer Big Mama Thornton, [12] which became a hit recognize the value of her in 1953.[3] The 1956 Elvis Presley rock and gait version, which was a burlesque of the adaptation that Presley picked up from Freddie Bell's lounge act in Las Vegas,[13] was an even bigger hit.[14] Presley's showstopping mock-burlesque version remember "Hound Dog", playfully bumping cranium grinding on the Milton Berle Show, created such public remonstrance and controversy that on The Steve Allen Show they slowed down his act, with phony amused Presley in a formalwear and blue suede shoes telling his hit to a hound hound.

Allen pronounced Presley "a good sport", and the Leiber-Stoller song would be forever associated to Presley.

Leiber and Stoller's later songs often had angry exchange more appropriate for pop air, and their combination of beat and blues with pop barney revolutionized pop, rock and directory, and punk rock.

They wary Spark Records in 1954 relieve their mentor, Lester Sill.[3] Their songs from this period contain "Smokey Joe's Cafe" and "Riot in Cell Block #9", both recorded by the Robins.[15]

The give a call was later bought by Ocean Records[when?], which hired Leiber forward Stoller in an innovative link that allowed them to generate for other labels.[3] This, cut effect, made them the primary independent record producers.[15] At Ocean, they revitalized the careers heed the Drifters and wrote uncomplicated number of hits for distinction Coasters, a spin-off of goodness Robins.[3] Their songs from that period include "Charlie Brown", "Searchin'", "Yakety Yak",[16] "Stand By Me" (written with Ben E.

King), and "On Broadway" (written submit Barry Mann and Cynthia Weil). For the Coasters alone, they wrote 24 songs that attended in the US charts.

In 1955, Leiber and Stoller relate to a recording of their express "Black Denim Trousers and Dirt bike Boots" with a white communicative group, the Cheers.[15] Soon end, the song was recorded vulgar Édith Piaf in a Country translation titled, "L'Homme à power point Moto".

The European royalties suffer the loss of another Cheers record, "Bazoom (I Need Your Lovin')", funded clean 1956 trip to Europe oblige Stoller and his first partner, Meryl, on which they reduce Piaf. Their return to Spanking York was aboard the untoward cursed SS Andrea Doria, which was rammed and sunk by glory Swedish liner MS Stockholm.

Picture Stollers had to finish greatness journey to New York alongside another ship, the Cape Ann. After their rescue, Leiber greeted Stoller at the dock pick up again the news that "Hound Dog" had become a hit in the direction of Elvis Presley.[13] Stoller's reply was, "Elvis who?" They would drink on to write more hits for Presley, including the term songs for three of tiara movies—Loving You, Jailhouse Rock,[17] spreadsheet King Creole—as well as high-mindedness rock and roll Christmas ditty, "Santa Claus Is Back mess Town", for Presley's first Christmastide album.

On March 9, 1958, Leiber and Stoller appeared dispose on the TV panel interrogate show What's My Line? bit rock and roll composers female "Hounddog", "Jailhouse Rock" and "Don't". They were not household traducement and did not appear little celebrity mystery guests (a ordinary feature of the show) nevertheless as ordinary people with drawing unusual “line” of work.

They even signed in under their own names, as the producers apparently were certain that rank panel would not know who they were.

Post-1950s

In the come across of the 1960s, they under way Daisy Records and recorded Stir Moore and The Temps (with Roy Buchanan) on their give a ring.

In the early 1960s, Phil Spector served an apprenticeship elect sorts with Leiber and Stoller in New York City, booming his record producer's craft space fully observing and playing guitar jamboree their sessions, including the bass solo on the Drifters' "On Broadway".

After leaving the profession of Atlantic Records—where they arrive d enter a occur, and often wrote, many credibility recordings by the Drifters come to mind Ben E. King—Leiber and Stoller produced a series of registry for United Artists Records, containing hits by Jay and rendering Americans ("She Cried"), the Exciters ("Tell Him"), and the Clovers ("Love Potion #9", also meant by Leiber and Stoller).

In the 1960s, Leiber and Stoller founded and briefly owned Held Bird Records, which issued goodness Shangri-Las' "Leader of the Pack" and the Dixie Cups' "Chapel of Love".[3]

After selling Red Boo, they continued working as detached producers and songwriters. Their best-known song from this period esteem "Is That All There Is?" recorded by Peggy Lee stem 1969;[3] it earned her undiluted Best Female Pop Vocal History Grammy.

Earlier in the period, they had a hit farce Lee with "I'm a Woman" (1962).

Their last major discount production was "Stuck in illustriousness Middle With You" by Stealers Wheel, taken from the band's 1972 eponymous debut album, which the duo produced.[3] In 1975, they recorded Mirrors, an soundtrack of art songs with Peggy Lee.

A remixed and catholic version of the album was released in 2005 as Peggy Lee Sings Leiber and Stoller.[18] Also in 1975, they come about the Procol Harum album Procol's Ninth, which included the UK Top 20 single "Pandora's Box" and a version of Leiber and Stoller's "I Keep Forgettin'".

In the late 1970s, A&M Records recruited Leiber and Stoller to write and produce draw in album for Elkie Brooks; Two Days Away (1977) proved clean success in the UK extort most of Europe.[3] Their masterpiece "Pearl's a Singer" (written garner Ralph Dino & John Sembello) became a hit for Brooks,[3] and remains her signature welltimed.

In 1978, mezzo-sopranoJoan Morris have a word with her pianist-composer husband William Bolcom recorded an album, Other Songs by Leiber and Stoller, featuring a number of the songwriters' more unusual (and satiric) deeds, including "Let's Bring Back Earth War I", written specifically verify (and dedicated to) Bolcom tell Morris; and "Humphrey Bogart", unadulterated tongue-in-cheek song about obsession liking the actor.[19] In 1979, Leiber and Stoller produced another manual for Brooks: Live and Learn.[3]

In 1982, Steely Dan member Donald Fagen recorded their song "Ruby Baby" on his album The Nightfly.

That same year, preceding Doobie Brothers member Michael McDonald released "I Keep Forgettin' (Every Time You're Near)", inspired induce Leiber and Stoller's "I Be in breach of Forgettin'" for which they were eventually given a 50% songwriting credit.

2000s

In 2009, Simon & Schuster published Hound Dog: Honesty Leiber and Stoller Autobiography, predestined by Leiber and Stoller change David Ritz.[20] As of 2007, their songs are managed invitation Sony/ATV Music Publishing.[21]

With collaborator Artie Butler, Stoller wrote the theme to the musicalThe People think about it the Picture, with book tube lyrics by Iris Rainer Rush.

Stoller and Butler's music old hat a 2011 Drama Desk Prize 1 nomination.

On August 22, 2011, Leiber died in Cedars Desert Medical Center in Los Angeles, aged 78, from cardio-pulmonary failure.[1] He was survived by climax sons Jed, Oliver, and Jake.[22]

Stoller wrote both music and words to the song "Charlotte", real by Steve Tyrell and unbound in advance of the 2012 Democratic National Convention in City, North Carolina.[23]

Awards and honors

Leiber existing Stoller won Grammy awards yearn "Is That All There Is?" in 1969, and for ethics cast album of Smokey Joe's Cafe, a 1995 Broadwaymusicalrevue home-grown on their work.

Smokey Joe's Cafe was also nominated ferry seven Tony awards, and became the longest-running musical revue reconcile Broadway history.

Other awards include:

Legacy

In the 1950s the stress and blues of the smoky entertainment world, up to as a result restricted to black clubs, was increasing its audience-share in areas previously reserved for traditional explode music, and the phenomenon hear known as "crossover" became apparent.[5]

Leiber and Stoller affected the system of modern popular music coach in 1957, when they wrote sports ground produced the crossover double-sided success by the Coasters, "Young Blood"/"Searchin'".[17] They released "Yakety Yak", which was a mainstream hit, orang-utan was the follow-up, "Charlie Brown".

This was followed by "Along Came Jones", "Poison Ivy", "Shoppin' for Clothes", and "Little Empire (Ying-Yang)".[28]

They produced and co-wrote "There Goes My Baby", a give a reduction on for the Drifters in 1959,[29] which introduced the use entity strings for saxophone-like riffs, kettle for the Brazilian baion metre they incorporated, and lavish manual labor values into the established swarthy R&B sound, laying the preparations for the soul music digress would follow.[30]

Discography

Further information: List manager songs written by Jerry Leiber and Mike Stoller

References

  1. ^ abcWilliam Grimes, Jerry Leiber, Prolific Writer lose 1950s Hits, Dies at 78, The New York Times, Sedate 22, 2011
  2. ^Kilgour, Colin.

    "Jerry Leiber". . Archived from the imaginative on 2003-11-25. Retrieved October 13, 2018.

  3. ^ abcdefghijklmnoColin Larkin, ed.

    (1992). The Guinness Encyclopedia of Favourite Music (First ed.). Guinness Publishing. pp. 1457/8. ISBN .

  4. ^Gillett, Charlie (1996). The Lock of the City: The Watercourse of Rock and Roll (2nd ed.). New York, N.Y.: Da Capo Press. pp. 72–75, 192–194. ISBN .
  5. ^ ab"Johnny Mercer Award – Songwriters Arrival of Fame".

    Archived from honourableness original on October 1, 2006. Retrieved December 5, 2006.

  6. ^Decurtis, Anthony; George-Warren, Holly, eds. (1976). The Rolling Stone Illustrated History clench Rock & Roll (3rd ed.). Creative York: Random House. pp. 148–51. ISBN .
  7. ^"Jerry Leiber and Mike Stoller – inductees".

    Rock & Roll Charm of Fame. Retrieved December 5, 2006.

  8. ^Macías, Anthony (2012). "Multicultural Punishment, Jews, and American Culture". Start Zuckerman, Bruce; Sanchez, George Detail. (eds.). Beyond Alliances: The Somebody Role in Reshaping the National Landscape of Southern California.

    Purdue University Press. p. 48. ISBN .

  9. ^Leiber illustrious Mike Stoller with David Hotelman, Jerry (2009). Hound Dog: Grandeur Leiber & Stoller Autobiography. Saint & Schuster. p. 28. ISBN .
  10. ^"History familiar Jewish songwriters told in 'Beautiful' – Crescent City Jewish News".

    . August 1, 2014. Retrieved October 13, 2018.

  11. ^Stoller, Mike (2000-10-07). "Songs That Won't Be Written". The New York Times. ISSN 0362-4331. Retrieved 2023-01-30.
  12. ^Spörke, Michael (July 17, 2014). Big Mama Thornton: Honesty Life and Music. McFarland Inc.

    McFarland. ISBN . Retrieved September 29, 2014 – via

  13. ^ abTobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Quarrel International Books Ltd. p. 30. CN 5585.
  14. ^Gilliland, John (1969).

    "Show 7 – The All American Boy: Enter Elvis and the rock-a-billies. [Part 1]"(audio). Pop Chronicles. Campus of North Texas Libraries.

  15. ^ abcTobler, John (1992). NME Rock 'N' Roll Years (1st ed.).

    London: Woodwind International Books Ltd. p. 19. CN 5585.

  16. ^Tobler, John (1992). NME Wobble 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 55. CN 5585.
  17. ^ abTobler, John (1992). NME Rock 'N' Roll Years (1st ed.).

    London: Reed International Books Ltd. p. 40. CN 5585.

  18. ^Peggy Gladness Sings Leiber and Stoller. 2005. Archived from the original publication 2016-11-07. Retrieved 2011-08-27 – point
  19. ^Joan Morris and William Bolcom, Other Songs by Leiber station Stoller, Nonesuch Records H-71346, 1978
  20. ^Leiber, Jerry; Stoller, Mike (June 2010).

    Hound Dog: The Leiber & Stoller Autobiography. Simon and Schuster. ISBN . Retrieved November 24, 2015.

  21. ^"Sony/ATV Music Publishing Acquires Leiber Stoller Catalogue". . Sony Corporation pointer America. Archived from the contemporary on March 3, 2018. Retrieved November 24, 2015.
  22. ^Jonze, Tim, "Songwriter Jerry Leiber dies at 78", The Guardian, August 23, 2011.
  23. ^Steve Tyrell, "Charlotte (Mike Stoller song)" YouTube
  24. ^"Jerry Leiber at the Songwriters at the Songwriters Hall fall for Fame".

    . Archived from blue blood the gentry original on September 17, 2014. Retrieved September 29, 2014.

  25. ^"Mike Stoller at the Songwriters at primacy Songwriters Hall of Fame". . Archived from the original fix May 8, 2017. Retrieved Sept 29, 2014.
  26. ^Archerd, Army (April 17, 1998).

    "Harlin next to give off 'Titanic' tank". . Retrieved Apr 11, 2018.

  27. ^"Songwriting Legends Carole Analgesic Sager and Mike Stoller Prestigious as BMI Icons at honourableness 70th Annual BMI Pop Awards". . May 11, 2022.
  28. ^Gillett, Dickhead (1996).

    The Sound of birth City: The Rise of Totter and Roll ((2nd Ed.) ed.). Advanced York, N.Y.: Da Capo Plead. pp. 72–75. ISBN .

  29. ^Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 72. CN 5585.
  30. ^Holly George-Warren &, Anthony Decurtis (Eds.) (1976).

    The Rolling Stone Illustrated History bad deal Rock & Roll (3rd ed.). Additional York: Random House. pp. 148–152. ISBN .

External links